Because I had a lot of trouble figuring out how to do this. And drawing it out by hand can be a drag with all of those squares and boxes and arbitrary lines, especially if one pattern piece is smaller and very complicated as to curves and darts. So without further ado, here's a poorly explained tutorial about sizing up little patterns to scale!
Tuesday, August 20, 2013
Friday, August 16, 2013
Douglas Day, version 2
Don't worry, friends, I am still alive! And sewing! I've mostly been working on my new CW camp dress made of wonderfully garish print, but I want that to be a surprise for when it's finished. c: I've just been mending and retrimming my old stuff.
But I did take advantage of the last halcyon days of summer and youth to drag friends out to the Douglas tomb (right in our town) and have a picnic and roll around and whatnot. It was a chiefly amusing day!
As if you all didn't think that I was Douglas crazy enough.
The artifice itself is actually Douglas' tomb. It was started in '61 and finished around 1888 (due to cost difficulties.) It stood on the land where he had intended to build his grand Chicago estate, Oakenwald. Never did get around to it (thanks to typhoid and a history of alcoholism....)
We set up in the lovely park around the memorial itself and ate little cookies and cucumber sandwiches and drank lots of bubbly!
The caretakers came up to us and complemented us on our outfits. Apparently they have period events around there and once or twice a year they have a Douglas reenactor! And I've been missing out on 7 whole years of going to see a punk rock' Stephen Dougas! But they promised to contact me and send me info and were generally very kind.
Anne came, as well! It was awfully nice to see her.
But I did take advantage of the last halcyon days of summer and youth to drag friends out to the Douglas tomb (right in our town) and have a picnic and roll around and whatnot. It was a chiefly amusing day!
As if you all didn't think that I was Douglas crazy enough.
The artifice itself is actually Douglas' tomb. It was started in '61 and finished around 1888 (due to cost difficulties.) It stood on the land where he had intended to build his grand Chicago estate, Oakenwald. Never did get around to it (thanks to typhoid and a history of alcoholism....)
It has all sorts of cool reliefs carved around it depicting scenes relevant to the early American experience!
I left a few flowers in front of his tomb.
We also had a lot of fun with the statues!Our very pc picnic bench |
The caretakers came up to us and complemented us on our outfits. Apparently they have period events around there and once or twice a year they have a Douglas reenactor! And I've been missing out on 7 whole years of going to see a punk rock' Stephen Dougas! But they promised to contact me and send me info and were generally very kind.
Anne came, as well! It was awfully nice to see her.
I never got around to showing off the finished bonnet I was making for C for APortfolio, so here it is, beautifully modeled by the owner herself.
And we got a little jumpy by the end of the day, and what better way to honor an energetic woman-loving man than by flashing our drawers all about? (and nobody told me my hair was falling out! :c )
It only goes to show: if there aren't any events around, make one yourself!!!
Thursday, August 8, 2013
Julia Tyler in Night Vale
So last year on a spring break college tour I found a fabric store in Providence, RI, and I found some 60" silk duchess satin for $10 a yard, so I snatched up the last of the bolt because it screamed '1840s' to me. And now I have finally done something with it! Hurrah for stash taming!
tumblr.com |
metmuseum.org |
Yaaaay summertime in Chicago! |
"I swear, even though Senator Douglas was only THIS tall, he was still cute as a button!" |
Obligatory harp picture |
My preeeeciousssss |
Boning in the dart |
The bertha was only attached at the shoulders and pinned to the center front for easy future removal.
The bertha was made by stitching bias strips to a plain cotton base.
(About the name - I did most of the work on this dress while listening to Welcome to Night Vale, a really weird and excellent podcast. Go listen! All hail the glow cloud!)
Sunday, August 4, 2013
A quick poll
(Which will probably be deleted in several days time, but I have a desperate need for opinions!)
So at the moment my 1840s bodice looks like this, but without the sleeves:
What initially drew me to this style of dress was the brutal simplicity of the style that let the fabric quality shine; no silly doodads or lacey bits, just immaculate fit and quality fabric.
But I still have at least a yard of fabric left after making up the skirt, and I'm starting to think that I might like to put a pleated bertha on as well.
Do you like it plain better? Or with a low bertha (like the one in Janet Arnold's Patterns of Fashion?) I don't think a detachable one will work, as in the 40s it would have been sewn into the sleeve seam.
Thanks!
So at the moment my 1840s bodice looks like this, but without the sleeves:
From Antiquedress.com |
But I still have at least a yard of fabric left after making up the skirt, and I'm starting to think that I might like to put a pleated bertha on as well.
Something like this |
Thanks!
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